Monday, October 18, 2010

Hitchcock does it again

Most film critics consider Alfred Hitchcock’s film “Psycho” as his best work. After watching it, I can see why they may think this. One scene in particular really stuck in my mind and in my opinion captures the essence of the Hitchcockian talent. It begins 10 minutes into the movie. Marion just left her work place after telling her boss she is going to place 40,000 dollars into the bank for safekeeping. She is at her apartment. The money is on the bed.
The first shot begins with Marion wearing a black bra and a black skirt. Her dark clothing help set the mood. The camera then pans and zooms onto the money in an envelope on the bed. It brings the attention to the money and already the viewer can tell that something is not quite right. There is some kind of darkness associated with the money. After we see the money, the eerie music begins to play. After we see the money, the camera is then panned over to the suitcase on the opposite side of the bed. It is clear that Marion is packing the suitcase. All of the elements suggest that she is going to take the money and escape. The shot cuts to her picking a coat out of her closet, placing it into the suitcase and she glances over to the money. Then there’s a POV shot of the money, lying innocently on the bed. The music grows louder as the money is shown. Again, indicating significance. She finishes packing her suitcase and places the money into her black handbag.
In this scene alone Hitchcock is able to masterfully lead the audience on Marion’s journey and really make us feel as though we are guilty of stealing the money as well. He plays with the emotions of the viewer by capturing and tugging them side-to-side. Very well done, Hitchcock. Thank you.

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